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Cover of Lives in Reserve, by Nicolas Marty.

COMING SOON · US ENGLISH EDITION

Lives in Reserve

By

What We Let Live · Volume 1

Progress saves lives. Whose lives come first?

Paris, 2046. Robots deliver groceries, repair buildings, and help care for the sick. Medicine can do things that once seemed impossible. Yet every advance comes with a question that rarely appears in the advertisement: who qualifies?

Coming soon · US English edition

Also coming soon in French

Les vies de réserve →

ENTER THE STORY

The Cost of Being Protected

Nora Delmas, her estranged husband Lucien, and Garance Veyrac approach the same system from different sides. For one, it is a place to work. For another, a trail of decisions. For the heiress, it is an inheritance inseparable from her survival. Their choices bring a public crisis into the intimate space between people who need one another.

World illustration · Lives in Reserve
Beneath the surface
01

A Future You Can Recognize

Delivery rounds, appointments, rent, and work still shape the day. Robots handle more of the tasks; families bear the cost when a service, a contract, or a promise fails.

02

Progress With Conditions

Advanced medicine can keep a person alive for years. Access can hinge on employment, insurance, or the right name. A technical decision becomes a family’s most intimate crisis.

03

The Voices We Keep

Technology preserves traces of a life. Families and institutions give those traces meaning. Between remembrance and possession lies a question no machine can settle for them.

Find your next read

A dystopia that begins with one person’s fate.

  • The trilogy begins here
  • A family under pressure
  • Social dystopia

Meals arrive, robots work and clinics promise care. The future of this trilogy looks like an everyday world that functions, until someone is shut out. Nora discovers a patient without protection; Lucien, Alma and Garance face decisions that implicate them in different ways.

Begin here if you enjoy social speculation told through a family, its attachments and its responsibilities. The first volume opens an investigation whose stakes reach into private relationships as well as structures of power. It begins a continuing story across three books.

Explore the illustrated presentation

THE PLEASURE OF READING

Follow What We Let Live in order

What We Let Live is a literary dystopian trilogy about care, class, family, and the people we allow ourselves to sacrifice. Read in order: Lives in Reserve; The Tenderness of Executioners; The Claims of the Absent.

THE ILLUSTRATED A+ PRESENTATION

What We Let Live

What We Let Live by Nicolas Marty, above a futuristic metallic relief for Book 1.

One Patient’s File. A Family’s Compromises.

Nora knows how to care for a patient. Lucien knows how to follow a record. Neither can keep the investigation outside their home. As a citizens’ revolt gathers force, the protections they depend on become part of the truth they are trying to uncover.

Champagne-colored futuristic city relief set within a geometric frame on dark alloy.

The Cost of Being Protected

Nora Delmas, her estranged husband Lucien, and Garance Veyrac approach the same system from different sides. For one, it is a place to work. For another, a trail of decisions. For the heiress, it is an inheritance inseparable from her survival. Their choices bring a public crisis into the intimate space between people who need one another.

Inside the World of the Trilogy

Champagne-colored relief of a futuristic city and its automated infrastructure on dark metal.

A Future You Can Recognize

Delivery rounds, appointments, rent, and work still shape the day. Robots handle more of the tasks; families bear the cost when a service, a contract, or a promise fails.

Metal relief of a treatment chair and robotic medical equipment inside a futuristic clinic.

Progress With Conditions

Advanced medicine can keep a person alive for years. Access can hinge on employment, insurance, or the right name. A technical decision becomes a family’s most intimate crisis.

Metallic architectural panels and a suspended sound wave on a dark engraved background.

The Voices We Keep

Technology preserves traces of a life. Families and institutions give those traces meaning. Between remembrance and possession lies a question no machine can settle for them.

Step Inside the Story

The woman had laid her shoes on her stomach.

Nora looked at them before she looked at her face: two white sandals, the strap on the left one held together with blue thread. The gurney almost touched the one beside it. To make room for the medical cart, someone had pushed the chairs against the old school lockers, and those well enough to sit up had begun holding their bags between their knees. In the next room, someone was asking for a phone charger. He had tried asking quietly three times.

“You can put them beside you,” Nora said.

The woman moved her eyes without turning her head.

“Where?”

Nora took a clean underpad from the compartment the robot held out to her, folded it over a stool, and set the sandals on it. The left one tipped over. She straightened it. All evening, they had been making room for an elbow, a bag, a pair of shoes; now the stool was blocking the aisle.

From Chapter One, “Madeleine’s File,” in Lives in Reserve.

BEFORE OPENING THE BOOK

Your questions.

Is this book available?

The US English edition is coming soon. No release date or preorder has been announced. Its Amazon link will be added after publication.

What language is the book in?

This is the American English edition of the novel. The French edition has a separate presentation linked above.

What is the reading order?

Lives in Reserve → The Tenderness of Executioners → The Claims of the Absent.

Are these illustrations interior pages?

The artwork accompanies the book’s A+ presentation. It evokes its setting and themes; it does not reproduce the novel’s interior.

YOUR NEXT BOOK

One Patient’s File. A Family’s Compromises.

The book is in preparation. Return here for publication information.

Upcoming books →

Also coming soon in French

Les vies de réserve →